Download The Reality Dysfunction: Night's Dawn Trilogy, Book 1

Download The Reality Dysfunction: Night's Dawn Trilogy, Book 1

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The Reality Dysfunction: Night's Dawn Trilogy, Book 1

Download The Reality Dysfunction: Night's Dawn Trilogy, Book 1

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Audible Audiobook

Listening Length: 41 hours and 6 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: March 29, 2016

Whispersync for Voice: Ready

Language: English, English

ASIN: B01DFP03KI

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I've read an awful lot of science fiction over the years, and recently returned to the genre after a lengthy absence. In doing so, I made a concerted effort to upgrade my reading list and familiarize myself with the new generation of sci-fi writers. My recent experience has been a real revelation. Whereas in the past, most of the science fiction I consumed was very easy to read and understand (Asimov as an example), some of the works I've sampled in the last year or two have quite literally been over my head.I read Dune (multiple times) many years ago. I proceeded on to the Dune sequels, but after two or three they became so philosophically dense that I lost interest. I recently read Herbert's widely acknowledged masterpiece The Dosadi Experiment and again was forced to admit that I was incapable of appreciating it fully. Ditto for much of Philip Dick's writing.In an effort to read all joint Hugo/Nebula Award winners, I ran into a few other such works. Some of the new generation of sci-fi writers have published undeniably outstanding novels that I simply couldn't enjoy fully. Charles Stross, Neal Stephenson and Ian McDonald come immediately to mind. These cats are just too intelligent for me to relate to (and I have a post graduate degree!).Others, such as Joe Scalzi, David Brin and Joe Haldeman crank out easily understood and entertaining work (in the mode of Asimov), but without all the heavy lifting some of the previously cited authors require. All of this to say, that in Peter Hamilton's The Reality Dysfunction I discovered what I felt was a very happy medium: Vastly entertaining, but with just the level of challenge and difficulty that I could master without detracting from my enjoyment of the reading experience. There are some pretty heavy concepts in this novel, yet I never felt that I was lost or over my head. Outstanding example of "hard" science fiction.One of my science fiction pet peeves are hackneyed alien life forms. Multi armed/legged creatures, insect or other animal like beings, as if alien life forms have to fit into human constructs. Larry Niven's Ringworld is a perfect example (giant cats and Pierson's Puppets). While this novel has some of that, it also has some very intriguing alien life forms which do not fit neatly into our preconceived notions of how an alien may look or behave. It also includes sentient habitats and spaceships, a concept I first encountered in Charles Stross's Saturn's Children.At over 1,000 pages, and only the first of three books in a series, this is an undertaking that requires a significant time commitment. There are also a dizzying number of plot threads which could be hard to keep straight.Not the kind of book that you read for a while, put aside and take up again a few weeks later. However, if you're up to the challenge, I don't think you'll be disappointed. On to book two.

I like sprawling books. I like 600 plus pages. I like soap in space. But this didn't do it for me. I tried. Read 600 of the about 1200 pages but it just seems to go on and on and on without all that much plot, intrigue or excitement. I can't count how many times I thought:"please, do get on with it already.." Every time you seem to be getting somewhere it switches from one world to the next, leaving you hanging in space, literally. The characters aren't all that likeable either. Some are just plain irritating. Even the ships become irritating after a while so I gave up. I'm a big fan of Simmons' Hyperion Cantos so if you're looking for something sprawling, clever, intriguing, fascinating and fun to read like that - sadly this isn't it.

First, to give some credit, the author's writing style is fun and entertaining to read. If that is your primary concern then you may thoroughly enjoy Peter Hamilton's writing. This series was my first exposure to his writing and I was very excited to consume a new space opera of what looked like a truly large scope at face value.What I encountered, however, was one of the most basic good vs evil (practically/basically heaven vs hell) tales I've encountered in years. In terms of plot structure you can expect good guys struggling to fight bad guys, and in the end, everything is solved with a painfully easy ex machina which does nothing to further the plot, the characters, or the groups of people involved in the plot.So, in short, fun writing style with an extremely weak/basic plot, a lazy/meaningless ending, and character development that is alright, but not great.

There is something really important to know about this excellent book. It was originally published in two volumes, Book I and Book II This was in 1996. The current version of The Reality Dysfunction, published in 2008 by Orbit includes both volumes. If you are looking at an about 1100 page book, you have the one with both books integrated into one volume. This can be very confusing to those seeing that there originally was two books of it.Like all of Hamilton's books it is long and wordy, Like a Russian novel, but once the many characters start coming together, you will find it agonizing to put it down. It is a real page turner once it gets going! Challenging but rewarding by today's predominant Sci-Fi writer.

I hate the 5 star rating system. We need more levels to be more precise. For a time I thought 1100 pages too long. I wished the author would have edited out a 100+ pages or so. I do like his writing but at times it seemed little to wordy. Now I've changed my mind. The story keeps developing as the book series goes along. At times I thought about putting the book aside for a bit. But then he brings everything together and rekindles (pun intended) your interest. I can reccomend the book but be prepared for a LONG ride.P.S. I'm 1/3 of the way through book 3 of this series and am very glad I stuck with it. He can be quite good at times.Try his void series. I think that is even better work than this series.

I agree it started slowly but when you're building a rather massive story idea, the foundation just has to take time. At first I was in 'ok, what happens to X?' mode and resented the detail. As I read more, I started forcing myself to relax and enjoy the detail. You realize each character is giving you a different perception of central idea. The author really wants you to get the feel of each situation. Characters are revealed like peeling an onion - you get deeper each time they reappear. The fundamental idea behind it? I don't buy it but hey, it's fiction - and he remains true to the 'world' he has created - the crucial thing. It kept me up too many nights.I've been reading Sci-Fi since the late 50's so Asimov, Heinlein, etc. Also newer by Stross (Accelerando the best) , Neil Stephenson (Cryptonomicon! Snow Crash...) and my all-time favorite, Bujold - the Vorkosigan series - her characters have an unmatched reality. This compares well.

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Download Ebook Dispatches from Dystopia: Histories of Places Not Yet Forgotten

Download Ebook Dispatches from Dystopia: Histories of Places Not Yet Forgotten

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Review

“Melancholic but always fascinating Brown's journeys to some of the world’s furthest and most fragile destinations help us explore the meaning of place and memory and, along the way, subtly re-invent the art of the exploration. Dispatches from Dystopia is a compelling and important book.” (Alastair Bonnett, author of Unruly Places: Lost Spaces, Secret Cities, and Other Inscrutable Geographies)“Brown is among our most visionary historians: a scholar, writer, and traveler who forces us to think of awfulness as a kind of opportunity and emptiness as another kind of thriving. Dispatches from Dystopia should be read by anyone interested in the fate of modernity in places that were once thought to be at its forefront. But it is also a set of essays on the art and science of sense-making: when to go to the archives and when to ignore them, how to hear and smell a place, and why our stories about someone else's past end up being some version of our own.” (Charles King, author of Odessa: Genius and Death in a City of Dreams)“Well written, raw, compelling, and seldom boring.” (Library Journal)“Brown's book masterfully straddles the line between personal travelogue and academic research. Her essays jump from a war-torn region of Central Asia to a forgotten hotel basement in Seattle, and Brown argues that history is much better served by historians who put themselves in the places they research and the essays they write.” (Shelf Awareness)“Brown is a historian, but she is also a traveler.  . . . For Brown, it is not enough simply to research a place, to reproduce published photographs. The importance of the body, of the physical presence of the writer, runs throughout Dispatches from Dystopia. Reacting against a kind of history too narrowly focused on printed records, on archives and official histories, Brown argues that historians must also seek out what cannot be transcribed and collated by scribes. To see, one must go: ‘The premise of this book,’ she writes, ‘is that traveling can be a form of negotiation, an unraveling of certainties and convictions and a reassembling of the past.’” (Los Angeles Review of Books)“Historians spend lots of time in archives and libraries. But documents often reveal little about people who lived on the margins of society or whose stories are intentionally obscured. To uncover these people’s stories, historian and self-described ‘professional disaster tourist’ ‘ Brown ventures into a variety of wastelands. Dispatches from Dystopia compellingly chronicles people who were or are living on the edge.” (Science News)“Dispatches from Dystopia is a remarkable work on fascinating places, and combines the best of historical analysis and travel writing. Despite its melancholic tone, it is a visionary work that deserves a wide audience.” (Times Higher Education)“The aesthetic pleasure of ‘ruin porn’—documenting places that have been abandoned and decayed by the quirks of cultural or economic transitions—is deeply connected to historian Kate Brown’s Dispatches from Dystopia: Histories of Places Not Yet Forgotten. Rather than holing up in the library for the close inspection of primary source documents, she ventures out to places like Uman, in the Ukraine, and Billings, Montana, where dystopian stories resonate in the land and the people who occupy it. . . . Each of Brown’s essays is engaging, and together they create a larger story about the ways that places tell stories that often remain untold.” (PopMatters)

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About the Author

Kate Brown is professor of history at the University of Maryland, Baltimore County. She is also the author of Biography of No Place: From Ethnic Borderland to Soviet Heartland and Plutopia: Nuclear Families, Atomic Cities, and the Great Soviet and American Plutonium Disasters.

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Product details

Hardcover: 216 pages

Publisher: University of Chicago Press; 1 edition (May 1, 2015)

Language: English

ISBN-10: 9780226242798

ISBN-13: 978-0226242798

ASIN: 022624279X

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#87,169 in Books (See Top 100 in Books)

This book, published at University of Chicago, (2015), in what to me is a series of three works with largely the same set of concerns that are wonderfully explored by Kate Brown. The other two, preceding, this one are "Plutopia," Oxford, (2013), and "A Biography of No Place," Harvard,(2003). Each of her books addresses her concerns in magically different and engaging ways. Readers will immediately notice that the narratives alternate between standard third person and, the most important one, first person. The writer is involved in the events themselves and not just as an observer or a scribe. Kate Brown's humanity is there on every page making it clear that her concerns are those also of her readers and, obviously, those she in engaged with everyday in her travels and research. The central topic, though is what a wasteland we have made of vast stretches of the world because of our obsessions with nuclear weapons and nuclear power. Her concern is not just Chernobyl, Fukushima, Three-Mile Island, but mainly two plutonium factories and what they have done to the political structures of our lives and, centrally, the devastation to our habitats and ourselves. The silence of radioactive isotopes have made it possible for us to remain unconscious of the effects all of the waste products have had on our health, the huge number of deaths that are not grouped in the obituary columns of local newspapers, but appear in families over many generations, and since these products do not just disappear, we, our children, our neighbors all, for many generations suffer and die from radiation poisoning. Our animals, pets and livestock are poisoned. All growing things are poisoned, and since radiation cannot be seen, its effects are difficult to trace to the damage they cause in our bodies and in all living things. Governments organized to produce nuclear weapons and then nuclear power urging its continuing production saying, often, that it is non-polluting, does not cause climate warming, and is both more effective and less costly than burning coal or making wind farms or other sustainable power alternatives. But? Nothing is free. The costs, though silent and long lived, are easily ignored until they pile up and no one wants the refuse in their back yards. People living by the production facilities deny the dangers because of the thousands of jobs created by the industry.All of this, in marvelously knitted and dramatic narrative gets revealed at just the right places in these three works. I have now been through all three of them and cannot wait until we get to see the revelations from her current sabbatical leave. I have not been soenthusiastic for an historians work since I was, long ago, an undergraduate learning about the Trans-Mississippi West by a teacher who was as involved in the lives and communities of Native Americans and their histories. Kate Brown has entered my pantheon of writers and teachers along with Dr. William E. Unrau. You may find his work here, too.

Rigorous and disciplined, this is an essential book with necessary lessons and perspectives not just for historians but anthropologists, doctors, even lawyers, and anyone serious about people and the world. In each essay, Brown places her person at some boundary--not just geographical (though that's always present and apparent), but at the limit of some structured, inadequate, strained understanding, whether it be a political outline of ethnicity, a scientific diagnosis of a disease, a historical depiction of an event--and Janus-like looks both into the accepted wisdom and out into the shadowy mixed realm of potential truths. Always illuminating, always engaging, always just a little too short, always honoring the places and especially the people she writes about, these essays exemplify scholarly intellect and the role academic inquiry plays in the world..

Dr. Brown forces us to confront the idea of a modernist wasteland from every angle. What it means for us, where we think it may refer to, and, most importantly, if we've been living in one all along. The juxtaposition of Soviet and post-Soviet settings with American counterparts is moving. More importantly, her prose and style make accessible an otherwise difficult matter. Highly recommended.

I love Kate Brown. This book isn't as long as Plutopia, it's not as overwhelming.

The "spatial turn" made both scholarly and personal - done by a historian with a thorough handle on the historiography (to which she is importantly contributing btw) and a truly deft pen.

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